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    <title>Nezzontli - Branch3</title>
    <subtitle>Bitácora personal de Alejandro B.E.: tecnología, física, sistemas resilientes y fotografía analógica.</subtitle>
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    <updated>2024-05-19T00:00:00+00:00</updated>
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    <entry xml:lang="es">
        <title>Branch 2: The Verse</title>
        <published>2024-05-19T00:00:00+00:00</published>
        <updated>2024-05-19T00:00:00+00:00</updated>
        
        <author>
          <name>
            B.E. Alejandro
          </name>
        </author>
        
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        <content type="html" xml:base="https://nezzontli.xyz/es/blog/cortometraje/rama3/">&lt;h2 id=&quot;premise&quot;&gt;Premise&lt;&#x2F;h2&gt;
&lt;p&gt;A young man is watching a video about biblical contradictions in the middle of the night. But among the verses shown, one appears that &lt;strong&gt;should not exist&lt;&#x2F;strong&gt;. It’s not in any Bible. It’s not in the original video. &lt;strong&gt;Only he can see it.&lt;&#x2F;strong&gt;&lt;br &#x2F;&gt;
And once he reads it, &lt;strong&gt;he can no longer stop hearing it.&lt;&#x2F;strong&gt;&lt;&#x2F;p&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;narrative-sequence&quot;&gt;Narrative Sequence&lt;&#x2F;h2&gt;
&lt;h3 id=&quot;act-1-introduction&quot;&gt;Act 1 – Introduction&lt;&#x2F;h3&gt;
&lt;p&gt;&lt;strong&gt;Dimly lit room, 2:47 AM.&lt;&#x2F;strong&gt;&lt;br &#x2F;&gt;
The protagonist (we can call him &lt;em&gt;Elías&lt;&#x2F;em&gt;) is lying down, watching a YouTube video titled &lt;em&gt;“The Bible Contradictions Nobody Wants You to See.”&lt;&#x2F;em&gt;&lt;&#x2F;p&gt;
&lt;p&gt;The video’s tone is sarcastic, casual, yet informative.&lt;br &#x2F;&gt;
It cuts between Bible passages, religious paintings, and commentary from the creator.&lt;&#x2F;p&gt;
&lt;p&gt;Suddenly, for just a &lt;strong&gt;fleeting frame&lt;&#x2F;strong&gt;, almost subliminal—&lt;br &#x2F;&gt;
Elías rewinds.&lt;&#x2F;p&gt;
&lt;p&gt;He freezes the frame. There’s a text that &lt;strong&gt;wasn’t in the video before&lt;&#x2F;strong&gt;. It reads:&lt;&#x2F;p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Verse 0:&lt;br &#x2F;&gt;
And he who beholds the creator outside of time,&lt;br &#x2F;&gt;
shall also see the void that beholds him.”&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;p&gt;The text &lt;strong&gt;has no source or translation&lt;&#x2F;strong&gt;. It seems to have emerged from nothing, inserting itself into digital reality.&lt;&#x2F;p&gt;
&lt;h3 id=&quot;act-2-the-whisper&quot;&gt;Act 2 – The Whisper&lt;&#x2F;h3&gt;
&lt;p&gt;That night, Elías cannot sleep.&lt;br &#x2F;&gt;
Every time he closes his eyes, he &lt;strong&gt;hears a distant voice whispering the verse&lt;&#x2F;strong&gt;. Sometimes it’s in his own voice. Sometimes in voices like his mother’s, a child’s, or someone weeping.&lt;&#x2F;p&gt;
&lt;p&gt;He begins to notice strange things in his room:&lt;&#x2F;p&gt;
&lt;ul&gt;
&lt;li&gt;The mirror doesn’t reflect his movements in sync.&lt;&#x2F;li&gt;
&lt;li&gt;A painting of a religious figure seems to have eyes &lt;strong&gt;slightly shifted out of place&lt;&#x2F;strong&gt;.&lt;&#x2F;li&gt;
&lt;li&gt;A corner of his room, which he’s never paid attention to before, &lt;strong&gt;now terrifies him&lt;&#x2F;strong&gt;. There’s nothing there, but… he &lt;em&gt;feels&lt;&#x2F;em&gt; that there is &lt;em&gt;something&lt;&#x2F;em&gt;.&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;p&gt;He starts getting flashes, as if he were glimpsing &lt;strong&gt;another version of his room&lt;&#x2F;strong&gt;, darker, with symbols etched into the walls. Just for a second—long enough to question his perception.&lt;&#x2F;p&gt;
&lt;h3 id=&quot;act-3-dissociation&quot;&gt;Act 3 – Dissociation&lt;&#x2F;h3&gt;
&lt;p&gt;Elías starts talking to himself. Sometimes he records it to understand what he’s saying, but when he plays the recordings back, &lt;strong&gt;they’re not his words&lt;&#x2F;strong&gt;. It’s the verse, spoken in different languages: Latin, Greek, Aramaic.&lt;br &#x2F;&gt;
He doesn’t know any of these languages.&lt;&#x2F;p&gt;
&lt;p&gt;One night, he wakes up in his chair, facing the mirror. But he doesn’t remember getting up. He’s there, staring at himself.&lt;br &#x2F;&gt;
The camera lingers: Elías, in silence, watching his reflection.&lt;&#x2F;p&gt;
&lt;p&gt;&lt;strong&gt;His reflection doesn’t blink.&lt;&#x2F;strong&gt;&lt;&#x2F;p&gt;
&lt;p&gt;The boundary between his identity and something “other” begins to dissolve.&lt;&#x2F;p&gt;
&lt;h3 id=&quot;climax&quot;&gt;Climax&lt;&#x2F;h3&gt;
&lt;p&gt;Elías tries searching for “Verse 0” online. It doesn’t exist. No Bibles, no manuscripts, not even conspiracy forums. But every time he searches, the page &lt;strong&gt;glitches&lt;&#x2F;strong&gt; and instead shows:&lt;&#x2F;p&gt;
&lt;blockquote&gt;
&lt;p&gt;“You already read it.”&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;p&gt;One night, he’s sitting on his bed.&lt;br &#x2F;&gt;
The verse sounds again, but this time with a &lt;strong&gt;deep resonance&lt;&#x2F;strong&gt;, as if it were coming &lt;strong&gt;from within him&lt;&#x2F;strong&gt;.&lt;&#x2F;p&gt;
&lt;p&gt;He rises, slowly walks toward the dark corner of the room.&lt;br &#x2F;&gt;
There’s a &lt;strong&gt;human silhouette&lt;&#x2F;strong&gt; crouched, like in prayer, but deformed. It seems to be murmuring.&lt;&#x2F;p&gt;
&lt;p&gt;Elías kneels. He leans close to the figure’s ear. He listens.&lt;br &#x2F;&gt;
&lt;strong&gt;It’s repeating the verse.&lt;&#x2F;strong&gt;&lt;&#x2F;p&gt;
&lt;p&gt;Elías asks:&lt;&#x2F;p&gt;
&lt;blockquote&gt;
&lt;p&gt;“What comes after?”&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;p&gt;The figure slowly raises its head.&lt;br &#x2F;&gt;
It’s &lt;strong&gt;himself&lt;&#x2F;strong&gt;, but with his mouth sewn shut and eyes completely black. The figure speaks without moving its lips:&lt;&#x2F;p&gt;
&lt;blockquote&gt;
&lt;p&gt;“You already knew.”&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;hr &#x2F;&gt;
&lt;h3 id=&quot;ending&quot;&gt;Ending&lt;&#x2F;h3&gt;
&lt;p&gt;Elías wakes up in his bed.&lt;&#x2F;p&gt;
&lt;p&gt;Everything looks normal.&lt;br &#x2F;&gt;
The clock reads &lt;strong&gt;2:47 AM&lt;&#x2F;strong&gt;. The same time as always. The video is still playing. As if nothing ever happened.&lt;&#x2F;p&gt;
&lt;p&gt;But on the screen, the YouTuber looks directly at the camera for the first time and says:&lt;&#x2F;p&gt;
&lt;blockquote&gt;
&lt;p&gt;“Now that you’ve read it, all that’s left… is for Him to look back at you.”&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Cut to black. Silence.&lt;&#x2F;strong&gt;&lt;&#x2F;p&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;visual-technical-elements&quot;&gt;Visual &amp;amp; Technical Elements&lt;&#x2F;h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Color palette&lt;&#x2F;strong&gt;: Gradual transition from warm to cold tones as the story progresses&lt;&#x2F;li&gt;
&lt;li&gt;&lt;strong&gt;Composition&lt;&#x2F;strong&gt;: Use of negative space and uneasy angles to build tension&lt;&#x2F;li&gt;
&lt;li&gt;&lt;strong&gt;Visual effects&lt;&#x2F;strong&gt;: Subtle digital glitches increasing in frequency and intensity&lt;&#x2F;li&gt;
&lt;li&gt;&lt;strong&gt;Sound design&lt;&#x2F;strong&gt;: Layers of whispers and subliminal frequencies to provoke unease&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;themes-explored&quot;&gt;Themes Explored&lt;&#x2F;h2&gt;
&lt;ul&gt;
&lt;li&gt;The nature of forbidden knowledge&lt;&#x2F;li&gt;
&lt;li&gt;The thin line between revelation and madness&lt;&#x2F;li&gt;
&lt;li&gt;Time as a fragile human construct&lt;&#x2F;li&gt;
&lt;li&gt;The horror of being watched by something incomprehensible&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;production-notes&quot;&gt;Production Notes&lt;&#x2F;h2&gt;
&lt;ul&gt;
&lt;li&gt;Shoot in &lt;strong&gt;4:3 format&lt;&#x2F;strong&gt; to emphasize claustrophobia&lt;&#x2F;li&gt;
&lt;li&gt;Use editing techniques that suggest subtle time skips&lt;&#x2F;li&gt;
&lt;li&gt;Work with a linguist to create convincing versions of “Verse 0” in ancient languages&lt;&#x2F;li&gt;
&lt;li&gt;Consider binaural sound to increase immersion and discomfort&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;hr &#x2F;&gt;
&lt;blockquote&gt;
&lt;p&gt;[!NOTE]&lt;br &#x2F;&gt;
This narrative branch draws inspiration from elements of &lt;strong&gt;Lovecraftian cosmic horror&lt;&#x2F;strong&gt;, combined with the concept of &lt;strong&gt;kenosis&lt;&#x2F;strong&gt; (divine self-emptying) and the tradition of &lt;strong&gt;apocryphal texts&lt;&#x2F;strong&gt;.&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;hr &#x2F;&gt;
&lt;blockquote class=&quot;markdown-alert-important&quot;&gt;
	&lt;p&gt;For back to the main blog click here &lt;a href=&quot;https:&#x2F;&#x2F;nezzontli.xyz&#x2F;blog&#x2F;cortometraje&#x2F;&quot;&gt;Do Not Be Afraid - Short Film Concept&lt;&#x2F;a&gt;&lt;&#x2F;p&gt;

&lt;&#x2F;blockquote&gt;
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