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    <title>Nezzontli - Branch1</title>
    <subtitle>Bitácora personal de Alejandro B.E.: tecnología, física, sistemas resilientes y fotografía analógica.</subtitle>
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    <updated>2024-05-19T00:00:00+00:00</updated>
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    <entry xml:lang="es">
        <title>Branch 1: The Revelation</title>
        <published>2024-05-19T00:00:00+00:00</published>
        <updated>2024-05-19T00:00:00+00:00</updated>
        
        <author>
          <name>
            B.E. Alejandro
          </name>
        </author>
        
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        <content type="html" xml:base="https://nezzontli.xyz/es/blog/cortometraje/rama1/">&lt;h2 id=&quot;original-concept&quot;&gt;Original Concept&lt;&#x2F;h2&gt;
&lt;blockquote&gt;
&lt;p&gt;This is the branch where the video forms a loop—where I do exactly this in the video: planning the same short film as I am making. The order would be: watch the video – pause it to analyze – share my thoughts about what I’m analyzing and how it sparks the idea to make a short film – and then I begin making it. I will pretend to show some notes (some real, some staged), literally presenting how I plan to create the short film for this branch.&lt;&#x2F;p&gt;
&lt;p&gt;Then I’ll stop and say something like: &lt;em&gt;“Wait, I’ve already done this.”&lt;&#x2F;em&gt; At that moment, the protagonist looks directly into the camera, realizing he’s being watched—with a face of astonishment, fear, and horror. From another angle, the audience sees what I’m staring at: at first, &lt;strong&gt;nothing&lt;&#x2F;strong&gt;. Silence. Suspense. Suddenly, a biblical angel appears. The protagonist is paralyzed with fear, terrified, as the angel says: &lt;em&gt;“Do not be afraid.”&lt;&#x2F;em&gt; Then the entire room flattens into 2D, as if reality itself had paused or shifted, transporting me somewhere else. I haven’t yet decided how this new place will look. That’s where my idea ends for now—I don’t yet know what would come after.&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;scene-sequence&quot;&gt;Scene Sequence&lt;&#x2F;h2&gt;
&lt;h3 id=&quot;scene-1-introduction&quot;&gt;Scene 1: Introduction&lt;&#x2F;h3&gt;
&lt;ul&gt;
&lt;li&gt;The protagonist is watching a video about biblical inconsistencies&lt;&#x2F;li&gt;
&lt;li&gt;The atmosphere is intimate, at night, with dim desk-lamp lighting (introspective mood)&lt;&#x2F;li&gt;
&lt;li&gt;He pauses the video, staring intently at the screen&lt;&#x2F;li&gt;
&lt;li&gt;The camera slowly zooms in on his face, building tension&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;h3 id=&quot;scene-2-inner-voice&quot;&gt;Scene 2: Inner Voice&lt;&#x2F;h3&gt;
&lt;ul&gt;
&lt;li&gt;Voice-over of the protagonist reflecting on what he just heard&lt;&#x2F;li&gt;
&lt;li&gt;His tone is logical, curious, but tinged with existential doubt&lt;&#x2F;li&gt;
&lt;li&gt;He begins talking about an idea: making a short film based on what he just saw&lt;&#x2F;li&gt;
&lt;li&gt;Subtle music begins to build an uneasy atmosphere&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;h3 id=&quot;scene-3-meta-reference&quot;&gt;Scene 3: Meta-reference&lt;&#x2F;h3&gt;
&lt;ul&gt;
&lt;li&gt;The protagonist starts planning the very short film we are watching&lt;&#x2F;li&gt;
&lt;li&gt;Notes, sketches, and ideas appear (some real, some staged)&lt;&#x2F;li&gt;
&lt;li&gt;The video shifts into a kind of “fake behind-the-scenes,” breaking the fourth wall&lt;&#x2F;li&gt;
&lt;li&gt;Subtle, almost imperceptible changes begin to occur in the background&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;h3 id=&quot;scene-4-reality-break&quot;&gt;Scene 4: Reality Break&lt;&#x2F;h3&gt;
&lt;ul&gt;
&lt;li&gt;Suddenly, the protagonist says out loud:
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;“Wait… I’ve already done this.”&lt;&#x2F;em&gt;&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;&#x2F;li&gt;
&lt;li&gt;Silence. He realizes something.&lt;&#x2F;li&gt;
&lt;li&gt;He slowly turns his face toward the camera, expression mixing confusion, horror, and revelation&lt;&#x2F;li&gt;
&lt;li&gt;Cut to his point of view: at first, &lt;strong&gt;nothing&lt;&#x2F;strong&gt;. Silence. Suspense.&lt;&#x2F;li&gt;
&lt;li&gt;Suddenly, a terrifying celestial figure appears: a &lt;strong&gt;biblical angel&lt;&#x2F;strong&gt; (ophanim or another non-humanoid being, covered in eyes, floating in the void)&lt;&#x2F;li&gt;
&lt;li&gt;The protagonist freezes in absolute fear, unable to move or speak&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;h3 id=&quot;scene-5-the-message&quot;&gt;Scene 5: The Message&lt;&#x2F;h3&gt;
&lt;ul&gt;
&lt;li&gt;The angel, without a mouth (or without moving one), speaks in a deep, reverberating voice:
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;“Do not be afraid.”&lt;&#x2F;em&gt;&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;&#x2F;li&gt;
&lt;li&gt;Reality distorts: the environment flattens into 2D, as if time itself had stopped or another dimension had taken over&lt;&#x2F;li&gt;
&lt;li&gt;The protagonist is transported elsewhere (still undefined)&lt;&#x2F;li&gt;
&lt;li&gt;The scene ends in a fade to white, leaving the protagonist’s fate in suspense&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;visual-technical-elements&quot;&gt;Visual &amp;amp; Technical Elements&lt;&#x2F;h2&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Lighting&lt;&#x2F;strong&gt;: Contrast between the warm, dim lighting at the beginning and the cold, supernatural glow of the angelic encounter&lt;&#x2F;li&gt;
&lt;li&gt;&lt;strong&gt;Sound&lt;&#x2F;strong&gt;: Use of low frequencies and distorted audio to heighten unease&lt;&#x2F;li&gt;
&lt;li&gt;&lt;strong&gt;Special effects&lt;&#x2F;strong&gt;: Gradual transition from 3D to 2D to convey reality distortion&lt;&#x2F;li&gt;
&lt;li&gt;&lt;strong&gt;Biblical angel&lt;&#x2F;strong&gt;: 3D-modeled, concentric wheels with countless eyes, radiating an unnatural luminous aura&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;hr &#x2F;&gt;
&lt;h2 id=&quot;production-notes&quot;&gt;Production Notes&lt;&#x2F;h2&gt;
&lt;ul&gt;
&lt;li&gt;The angel scene requires detailed CGI and compositing work&lt;&#x2F;li&gt;
&lt;li&gt;For the 2D transition, research “cell shading” and flattening techniques&lt;&#x2F;li&gt;
&lt;li&gt;Consider filming in a room with full lighting control&lt;&#x2F;li&gt;
&lt;li&gt;The actor must master the emotional transition from intellectual curiosity to existential terror&lt;&#x2F;li&gt;
&lt;&#x2F;ul&gt;
&lt;hr &#x2F;&gt;
&lt;blockquote&gt;
&lt;p&gt;[!NOTE]&lt;br &#x2F;&gt;
This narrative branch ends at an open point, allowing multiple interpretations and possibilities for how the story continues.&lt;&#x2F;p&gt;
&lt;&#x2F;blockquote&gt;
&lt;hr &#x2F;&gt;
&lt;blockquote class=&quot;markdown-alert-important&quot;&gt;
	&lt;p&gt;For back to the main blog click here &lt;a href=&quot;https:&#x2F;&#x2F;nezzontli.xyz&#x2F;blog&#x2F;cortometraje&#x2F;&quot;&gt;Do Not Be Afraid - Short Film Concept&lt;&#x2F;a&gt;&lt;&#x2F;p&gt;

&lt;&#x2F;blockquote&gt;
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